By Dana Arnold
Structure as adventure investigates the conception and appropriation of locations throughout durations of time and tradition. the actual obstacle of the amount is to collect clean empirical examine and animate it through touch with theoretical sophistication, with out overwhelming the fabric. The chapters identify the continuity of a selected actual item and exhibit it in at the very least two alternative historic views, during which recognisable beneficial properties are proven in numerous lighting. the consequences are frequently surprising, inverting the common idea of a old position as having a permanent meaning. This book shows the perception that may be received from studying approximately prior buildings of meaning which were derived from the related constructions that stand sooner than us this day.
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Additional resources for Architecture as Experience: Radical Change in Spatial Practice
The fountain’s great height would have widened the range of its cooling mists. The sensual pleasures afforded by the Meta Sudans would have included the aural and the visual, as well as the tactile. 3), which presumably contained statuary. 20 Overall, the fountain must have been a most attractive landmark in the new Flavian piazza, and it is not surprising that many of the numismatic commemorations of the amphitheatre proudly display the Meta Sudans alongside it as an integral component of the Flavian building programme in the valley.
The Meta Sudans seems to have been purpose-built not only to provide fresh, abundant drinking water from the spigots around its base, but also to cool the surrounding air. 4 ‘The Meta Sudans’ Elizabeth Marlowe ﬂowed down the sides to collect in a basin below. The fountain’s great height would have widened the range of its cooling mists. The sensual pleasures afforded by the Meta Sudans would have included the aural and the visual, as well as the tactile. 3), which presumably contained statuary.
15 The Flavians demolished the north–south portico and repaved the area, thereby restoring the thoroughfare to the fully public realm. The relatively broad, open space of the piazza can be understood not only as a response to the density of the Neronian construction but also as an erasure of its insistently rectilinear contours. It was at the site of the former intersection of the two roads that the Flavians built the Meta Sudans, the monumental fountain that embellished their new piazza. This precise topographical coincidence suggests that the relationship between the new structure and the old is rather like that between the Flavian amphitheatre and the Neronian lake: while completely replacing its predecessor, the form and location of the new monument are carefully calculated to remind the viewer that something else had stood there previously, and thus, in a sense, to memorialize the act of erasure.